FIllmore history

A Jazz History

For more than a century, San Francisco’s Fillmore neighborhood has been a center of entertainment, entrepreneurship and intrigue, as well as the wellspring of cultural movements. Not only for San Francisco, but for the whole of the U.S.

The Fillmore is an ethnically diverse neighborhood, a spawner of jazz, rock, and blues, a political hotbed and spiritual center. Well-known names in American popular culture lived, worked, or developed their careers here—Isaac Stern, Maya Angelou, Mel Blanc, Allen Ginsburg, Bill Graham, John Handy, The Grateful Dead, The Jefferson Airplane, Janis Joplin, Willie Brown. The first importation of Zen Buddhism to the West occurred here. And on the darker side, the Fillmore has seen violent streetcar strikes, internment of its Japantown citizens, and the birth of Jim Jones’ People’s Temple.

FIllmore history

After the Great Earthquake

The neighborhood first rose to prominence in 1906. The great San Francisco earthquake and fire devastated the city that April. Within days, City Hall and most of the major department stores relocated a mile or so west to the closest thoroughfare left intact — Fillmore Street. Single family Victorians were turned into boarding houses, and the area quickly became a densely packed urban neighborhood.

Calvary Presbyterian Church, which in 1902 had fortuitously moved from Union Square to its present location at Fillmore and Jackson, survived the quake without structural damage and was afterwards used for many community meetings. It became the temporary home for St. Luke’s Episcopal and Old First churches, Temple Emanu-el and the Superior Court. In 1987, the church was placed on the National Register of Historic Places and designated as a city landmark.

Fillmore Street has always been primarily a commercial street, providing supplies for the servants to take back to big houses up the hill on Pacific Heights. Today, it continues to supply the divergent needs and interests of Pacific Heights, Japantown, the Western Addition, and the New Fillmore gentry.

The first streetcar to resume operation after the earthquake ran along Fillmore Street. In 1907, following a streetcar strike near a car barn on Fillmore, a riot broke out, and three people were killed. The day was christened “Black Thursday.” The streetcar’s brick powerhouse still stands at the corner of Turk and Fillmore.

In 1907, Mayor “Boss” Ruef, the chief of police and 18 members of the San Francisco Board of Supervisors were arrested on charges of political corruption. Ruef was jailed in a private home on Fillmore Street. There, at the request of his dying mother, Ruef confessed to the details of what historian Carol Chamberland calls “one of the most incredible tales of municipal government corruption in American history.”

During the post-earthquake development phase, theatres sprang up along the street, including The National, at Steiner and Post, which regularly featured a young singer named AI Jolson. After the earthquake destroyed Chinatown, the Japanese-American community relocated to the Western Addition. They named the area “Nihonjinmachi,” or “Japanese Town,” later shortened to its present “Nihonmachi,” or Japantown.

FIllmore history

Give Me Your Tired, Your Poor, Your Talented

In 1911, the first Fillmore Auditorium was built. Initially called the Majestic Ballroom until 1938, it was home to dances, balls, and other events. Two years later, The New Fillmore Theatre, San Francisco’s first high-class neighborhood theatre, was built. Soon eight new movie theatres popped up in the neighborhood.

The cinema classic Greed, directed by Eric von Stroheim, was released in 1924. Many of the scenes were shot on Fillmore Street.

In 1925, Japanese monk Nyogen Senzaki opened an apartment-zendo on Bush Street in Japantown. This was the first regular instruction in Zen offered to western students. Senzaki and his Fillmore District zendo were key to the transmission of the practice of Zen Buddhism to the West.

For the next four decades of the 20th century, the neighborhood attracted immigrants who couldn’t afford to live in the city’s posh neighborhoods. Fillmore became one of the most diverse neighborhoods west of the Mississippi, as enclaves of Fillipino, Mexican African-American, Japanese, Russian and Jewish residents moved in. San Francisco’s Jewish population thrived there, founding three synagogues, a Yiddish Cultural Center, dozens of kosher butchers, restaurants, bakeries and shops. In a sense, the Fillmore District became a West Coast version of turn-of-the-century New York’s Lower East Side.

In 1909, the Fillmore Street Improvement Association, a group of Fillmore merchants, erected 14 electrically lighted steel arches over the street. Fillmore was dubbed “the most highly illuminated street in America.”

FIllmore history

World War II and its Aftermath

Beginning in the late 1930s, many of the original residents of the Fillmore began to move to the suburbs. But the greatest change in the neighborhood came with World War II, when hundreds of Japanese-American families living in the Western Addition were sent to internment camps.

As the war continued, industrial workers flocked to the Bay Area to work in the shipyards and other wartime industries. African-Americans migrating form the South moved into Western Addition area housing left “vacant” by the interned Japanese Americans. After the war, many of those interned either did not or could not return to the neighborhood. It was not until 1990 that President George Bush signed into law a financial restitution bill and “a sincere apology” for the injustice done to the Japanese Americans interned during World War II.

In 1942, the illuminated arches along Fillmore Street were torn down for scrap to make steel for the war effort.

During the 1940s, dozens of jazz clubs opened in The Fillmore, among them the storied Jimbo’s Bop City. The music scene is in “The ‘Mo” was likened to the Harlem Renaissance. All the major musical stars of the era — Ella Fitzgerald, Duke Ellington, Billie Holiday, Charlie Parker, Charles Mingus, Gerry Mulligan — played at these clubs. Stationed in San Francisco during the Korean War, Chet Baker would sneak out of the barracks at Ft. Mason to jam all night at Jimbo’s. At age 18, saxophonist John Handy played Bop City with jazz giant John Coltrane.

Artists who grew up on Fillmore Street included violinists Yehudi Menduhin and Isaak Stern, poet Maya Angelou and voice actor Mel Blanc, the voice of Bugs Bunny and Elmer Fudd.

In the late 1950s, Urban Renewal became the watchword all over America. The Fillmore was not spared. Hundreds of homes int he Wester Addition were demolished, displacing more than 4,000 residents. By the mid-1960s, community activism prevented further displacement. But much of the area sat empty of year until it was “modernized” with steel-and-glass apartments over ground floor shops.

FIllmore history

The Beats, Zen, the Panthers and the Dead

In early October of 1955, Beat poet Alan Ginsberg was at a second-floor space on Fillmore, typing postcards announcing an upcoming poetry reading at the Six Gallery at 3119 Fillmore. On October 13, he performed the first reading of his epic, “Howl.” Other poets reading that night included Kenneth Rexroth, Gary Snyder, and Phillip Whalen. This event has since been called “the night of the birth of San Francisco poetry renaissance.”

In 1959, the San Francisco Zen Center was founded by Shunryn Suzuki, a Buddhist missionary from Japan.

In 1964, Willie Brown began his political career when he won his bid for California’s 18th Assembly District, centered in The Fillmore. His campaign workers included George Moscone and Dianne Feinstein.

 

In the 1960s, jazz historian David Rosenbaum ran the Melrose Record shop on Fillmore. Working in the store was a young high school student, Marguerite Johnson, who later became a famous poet and playwright Maya Angelou.

On December 10 1965, the Grateful Dead made their debut at the Fillmore Auditorium. The following year, Bill Graham began renting the Fillmore and producing shows there. That same year, Jimbo’s Bop City closed forever. Standing in its place in what is now Japantown is a bank. However, the original building housing Bop City was moved and is now occupied by Marcus Books, at 1712 Fillmore, the city’s largest African-American bookstore.

The “Summer of Love” arrived in San Francisco in 1967. That year, the Jefferson Airplane introduced “Somebody to Love” and “White Rabbit.” Janis Joplin and Big Brother and the Holding Company were headliners at the Fillmore.

In 1968, Bill Graham opened the Fillmore East in New York City and moved his San Francisco operation to the former Carousel Ballroom, renamed the Fillmore West.

That same year, Japan Center opened in Japantown. It featured a Peace Plaza and five-tier pagoda.

In 1969, police raided the Black Panther headquarters on Fillmore Street. Mayor Joe Alioto later praised community leaders for calming the crowd of more than 2,000 who had gathered to protest the raid.

In 1972, a progressive preacher named Jim Jones leased a former Masonic temple near the Fillmore Auditorium and started a ministry centered in the Western Addition. It was called the People’s Temple. Jones’ ministry took a sinister turn and ended tragically in November 1978, when more than 900 people, many of them Fillmore residents, died in Guyana, victims of an idea gone mad. In 1989, the former temple building, damaged in the Loma Prieta earthquake, was razed.

FIllmore history

The Renaissance

In 1981, the renaissance of upper Fillmore Street began with the establishment of Fillamento, which soon became a landmark design and home furnishings center. Not long afterwards, two new restaurants, Vivande and the Elite Café, opened on Fillmore. The seven blocks of Fillmore between Sutter and Jackson Streets soon became a mecca for some for some of the city’s cleverest chefs, designers, retailers and a true visitor’s destination.

Today Fillmore Street is alive with activity and is one of San Francisco’s finest neighborhoods, a place where residents and visitors alike live, work, shop, and play.

All in all, the Fillmore presents a cross-section of what is most vibrant, edgy, and awakening about America.